[meteorite-list] John's PF comic comments and mine, 2
From: MARK BOSTICK <thebigcollector_at_meteoritecentral.com>
Date: Thu Apr 22 10:32:55 2004 Message-ID: <BAY4-DAV146MXrQ2Wdp00024857_at_hotmail.com> ------=_NextPart_001_0017_01C41437.BDCEF3F0 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable "1. Characterization that my "burgh" near my city was a bad neighborhood.= .depicting guns and gangs...possibly true, maybe not?" =20 I have never been to Park Forest. I enjoyed the Garza interviews a lot an= d many of the people I have met because of it are quite nice. Since this = is a comic and not a broad political statement, I think it should be take= n as such. But you appear to agree with that fact that guns and gangs are= in the neighborhood. Please remember this part when you read later parts= in this e-mail. A couple locals are helping me collect reports and my ex= perience with the town has been pleasant. =20 "2. That all black people steal money from the innocent white folk...in t= his case looking for meteorites. That is certainly not true. (I=E2=80=99m= pretty sure all colors/races steal from each other)" =20 I am not sure where you get that at all. If you would look at the image a= gain, it shows a white and black gang member stealing from the hunter. If= I did show two blacks however, I would not think that means that "...ALL= black people....", and some quote from a well known book on the subject = below I think supports my side. As we learn in life pretty fast. There is= good and back in all people. Personally I am neither white or black and = I come from a mixed family and Wichita has a large military base....which= makes it a melting pot. I am one of the smallest minorities I know here = in America. How many Filipino-American's live on your block? Living in a = melting pot city, and coming from a mixed family, I didn't even understan= d racism very well until I left the city for several years. =20 3. That someone actually had a gun to their face or was robbed while hunt= ing meteorites in a PF neighborhood... =20 You are making it sound here that I a made a factual statement. I again c= learly labeled it as a comic and as any kid can tell you, comics don't al= ways show complete facts. It appears many of you are putting your own fee= lings and thoughts onto this and not taking it for what is it a comic. An= interesting book you might find worth reading is "Laughter: An Essay on = the Meaning of Comic by Henri Bergson. The following is taking from it, =20 "A word is said to be comic when it makes us laugh at the person who utte= rs it, and witty when it makes us laugh either at a third party or at our= selves. But in most cases we can hardly make up our minds whether the wor= d is comic or witty. All that we can say is that it is laughable." =20 >From reading your e-mail John I think we can all agree this comic fits th= at. Bergson notes that a person robbing another has been a common theme t= hroughout the history of comic drawling. Here is what he says, =20 "Who are the actors in these scenes? With whom has the wit to deal? First= of all, with his interlocutors themselves, when his witticism is a direc= t retort to one of them. Often with an absent person whom he supposes to = have spoken and to whom he is replying. Still oftener, with the whole wor= ld,--in the ordinary meaning of the term,--which he takes to task, twisti= ng a current idea into a paradox, or making use of a hackneyed phrase, or= parodying some quotation or proverb. If we compare these scenes in minia= ture with one another, we find they are almost always variations of a com= ic theme with which we are well acquainted, that of the "robber robbed." = You take up a metaphor, a phrase, an argument, and turn it against the ma= n who is, or might be, its author, so that he is made to say what he did = not mean to say and lets himself be caught, to some extent, in the toils = of language. But the theme of the "robber robbed" is not the only possibl= e one. We have gone over many varieties of the comic, and there is not on= e of them that is incapable of being volatilized into a witticism." =20 What Berger is trying to say here and in the paragraphs before it, is tha= t by nature, the witticism in the being robbed scene in a comic is someth= ing we can all relate to and that while it can be turned against the writ= er, that it is not a direct attack on a person or group, but more a refle= ction of part of our society. Berger ends with saying it is "witticism", = in others words, it is humor. =20 "Inadvertently to say or do what we have no intention of saying or doing,= as a result of inelasticity or momentum, is, as we are aware, one of the= main sources of the comic. Thus, absentmindedness is essentially laughab= le, and so we laugh at anything rigid, ready- made, mechanical in gesture= , attitude and even facial expression. Do we find this kind of rigidity i= n language also? No doubt we do, since language contains ready-made formu= las and stereotyped phrases. The man who always expressed himself in such= terms would invariably be comic. But if an isolated phrase is to be comi= c in itself, when once separated from the person who utters it, it must b= e something more than ready-made, it must bear within itself some sign wh= ich tells us, beyond the possibility of doubt, that it was uttered automa= tically." =20 In other words, it is important to some degree to use standard formulas i= n comic art, such as bad guy wears black hat, and thr use well known ster= eotyped phrases or looks is important to convey your image clearly and qu= ickly. One example of this might be a if you were doing a cowboy comic, a= nd having him saying "Hey partner" and wearing a cowboy hat. This tells s= omeone, this is a cowboy. =20 "So=E2=80=A6was there bad taste in the cartoon." =20 Such is an opinionated view. However, it does sound as though, you had to= think if you liked it or not pretty good before deciding. Most satire ar= tists would consider their comic a success if told such. If anyone would = like to continue this debate, please keep comments in a debate like manne= r. =20 Mark Bostick =20 www.meteoritearticles.com =20 Please visit, www.MeteoriteArticles.com, a free on-line archive of meteor= and meteorite articles. ------=_NextPart_001_0017_01C41437.BDCEF3F0 Content-Type: text/html; charset="utf-8" Content-Transfer-Encoding: quoted-printable <HTML><BODY STYLE=3D"font:10pt verdana; border:none;"><DIV> <P>"1. Charac= terization that my "burgh" near my city was a bad neighborhood...depictin= g guns and gangs...possibly true, maybe not?" </P> <P>I have never been t= o Park Forest. I enjoyed the Garza interviews a lot and many of the peopl= e I have met because of it are quite nice. Since this is a comic and not = a broad political statement, I think it should be taken as such. But you = appear to agree with that fact that guns and gangs are in the neighborhoo= d. Please remember this part when you read later parts in this e-mail. A = couple locals are helping me collect reports and my experience with the t= own has been pleasant. </P> <P>"2. That all black people steal money from= the innocent white folk...in this case looking for meteorites. That is c= ertainly not true. (I=E2=80=99m pretty sure all colors/races steal from e= ach other)" </P> <P>I am not sure where you get that at all. If you would= look at the image again, it shows a white and black gang member stealing= from the hunter. If I did show two blacks however, I would not think tha= t means that "...ALL black people....", and some quote from a well known = book on the subject below I think supports my side. As we learn in life p= retty fast. There is good and back in all people. Personally I am neither= white or black and I come from a mixed family and Wichita has a large mi= litary base....which makes it a melting pot. I am one of the smallest min= orities I know here in America. How many Filipino-American's live on your= block? Living in a melting pot city, and coming from a mixed family, I d= idn't even understand racism very well until I left the city for several = years. </P> <P>3. That someone actually had a gun to their face or was ro= bbed while hunting meteorites in a PF neighborhood... </P> <P>You are mak= ing it sound here that I a made a factual statement. I again clearly labe= led it as a comic and as any kid can tell you, comics don't always show c= omplete facts. It appears many of you are putting your own feelings and t= houghts onto this and not taking it for what is it a comic. An interestin= g book you might find worth reading is "Laughter: An Essay on the Meaning= of Comic by Henri Bergson. The following is taking from it, </P> <P>"A w= ord is said to be comic when it makes us laugh at the person who utters i= t, and witty when it makes us laugh either at a third party or at ourselv= es. But in most cases we can hardly make up our minds whether the word is= comic or witty. All that we can say is that it is laughable." </P> <P>Fr= om reading your e-mail John I think we can all agree this comic fits that= Bergson notes that a person robbing another has been a common theme thr= oughout the history of comic drawling. Here is what he says, </P> <P>"Who= are the actors in these scenes? With whom has the wit to deal? First of = all, with his interlocutors themselves, when his witticism is a direct re= tort to one of them. Often with an absent person whom he supposes to have= spoken and to whom he is replying. Still oftener, with the whole world,-= -in the ordinary meaning of the term,--which he takes to task, twisting a= current idea into a paradox, or making use of a hackneyed phrase, or par= odying some quotation or proverb. If we compare these scenes in miniature= with one another, we find they are almost always variations of a comic t= heme with which we are well acquainted, that of the "robber robbed." You = take up a metaphor, a phrase, an argument, and turn it against the man wh= o is, or might be, its author, so that he is made to say what he did not = mean to say and lets himself be caught, to some extent, in the toils of l= anguage. But the theme of the "robber robbed" is not the only possible on= e. We have gone over many varieties of the comic, and there is not one of= them that is incapable of being volatilized into a witticism." </P> <P>W= hat Berger is trying to say here and in the paragraphs before it, is that= by nature, the witticism in the being robbed scene in a comic is somethi= ng we can all relate to and that while it can be turned against the write= r, that it is not a direct attack on a person or group, but more a reflec= tion of part of our society. Berger ends with saying it is "witticism", i= n others words, it is humor. </P> <P>"Inadvertently to say or do what we = have no intention of saying or doing, as a result of inelasticity or mome= ntum, is, as we are aware, one of the main sources of the comic. Thus, ab= sentmindedness is essentially laughable, and so we laugh at anything rigi= d, ready- made, mechanical in gesture, attitude and even facial expressio= n. Do we find this kind of rigidity in language also? No doubt we do, sin= ce language contains ready-made formulas and stereotyped phrases. The man= who always expressed himself in such terms would invariably be comic. Bu= t if an isolated phrase is to be comic in itself, when once separated fro= m the person who utters it, it must be something more than ready-made, it= must bear within itself some sign which tells us, beyond the possibility= of doubt, that it was uttered automatically." </P> <P>In other words, it= is important to some degree to use standard formulas in comic art, such = as bad guy wears black hat, and thr use well known stereotyped phrases or= looks is important to convey your image clearly and quickly. One example= of this might be a if you were doing a cowboy comic, and having him sayi= ng "Hey partner" and wearing a cowboy hat. This tells someone, this is a = cowboy. </P> <P>"So=E2=80=A6was there bad taste in the cartoon." </P> <P>= Such is an opinionated view. However, it does sound as though, you had to= think if you liked it or not pretty good before deciding. Most satire ar= tists would consider their comic a success if told such. If anyone would = like to continue this debate, please keep comments in a debate like manne= r. </P> <P>Mark Bostick </P> <P><A href=3D"http://www.meteoritearticles.c= om/"><U><FONT color=3D#0000ff>www.meteoritearticles.com</U></FONT></A> </= P><FONT face=3DArial size=3D2></FONT><BR><BR>Please visit, www.MeteoriteA= rticles.com, a free on-line archive of meteor and meteorite articles.</DI= V></BODY></HTML> ------=_NextPart_001_0017_01C41437.BDCEF3F0-- Received on Sat 27 Mar 2004 09:11:51 PM PST |
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