[meteorite-list] A Curator Replies
From: Peter Davidson <P.Davidson_at_meteoritecentral.com>
Date: Thu, 9 Jul 2009 09:23:17 +0100 Message-ID: <B3AE086B03B2B44D87427A2DF66678AC474165_at_nmsexch01.nms2k.int> Mark, I would like to answer some of your allegations if I may and perhaps open a debate about where collected material goes. There seems to be a rather broad misconception about museums and their collections. Let me just start by saying that collectors have made an inestimable contribution to the furtherance of science. There is no disputing this. As science developed from the late 17th Century, collectors and explorers went out into the wide world to search for the unusual, exotic and unseen. Of course this material went to universities and museums, where else could it go? It was these fast developing institutions that were at the cutting edge of scientific research up to and beyond the Victorian Age. There were private collectors, but they were often former academics and almost certainly university educated. At their deaths, universities and museum were often the beneficiaries of their wills and many private collections came into public hands this way. It also has to be remembered that museum collections, including our own, were originally set-up as teaching collections. There was no real market place for geological specimens in the sense we know it today, so prices were lower - comparatively. The clientele, such as it was, was also largely middle- or upper-class and financially very well off. However, the notion that there is a "flow" of newly found material into museums is not entirely true. I do not work in an artefact-based department. It would therefore be unfair of me to comment to any great degree on their collecting policies. As I stated above, much of the material in museum drawers are donated/bequeathed objects or collections acquired by purchase. In any collection, there is a variable proportion of material that can be described as "contextless" or "difficult". But what may at the time be considered of lesser value may after subsequent research prove to be of greater value. It is on that basis museums often appear to hoard excess material. It is also often the case that once material is registered, it is very difficult and, I would personally add undesirable, to sell-off this material. If this material is contextless, then it can surely have no value in the market place anyway. Would you buy a shapeless lump of rock or pottery whose only provenance is "found in museum drawer"? On the scientific side, the "value" of an object can be viewed differently. As a mineralogist, as well as the obvious aesthetic qualities of some objects, there is also the scientific value. Some of the rarest and most "precious" of our objects are (to an aesthete) uninspiring and dull. Yet to a mineralogist, they may be the finest examples of a mineral species in the World. As for a never-ending flow of objects disappearing into museum collections. Let me assure you that if this is happening, then it is being done by elves at night when there are no museum staff around. As far as owning the objects. Well in that sense the museums doesn't own the specimens. The people of Scotland own them, all five million of us, and they are available for viewing either in galleries, online or by appointment for free. You only have to ask. Peter Davidson Curator of Minerals National Museums Collection Centre National Museums Scotland 242 West Granton Road Edinburgh EH5 1JA Phone: +44 131 247 4283 p.davidson at nms.ac.uk www.nms.ac.uk -----Original Message----- From: meteorite-list-bounces at meteoritecentral.com [mailto:meteorite-list-bounces at meteoritecentral.com] On Behalf Of Mark Ford Sent: 08 July 2009 16:01 To: meteorite-list at meteoritecentral.com Subject: Re: [meteorite-list] A Curator Replies Also we should never underestimate the contribution made to science by collectors! This is particularly true of meteorites, if no-one collected them, and created the resources needed for hunting them, our museum draws would actually be much emptier I suspect - Yes the market price would (arguably) be a little bit lower but how exactly does that help find more meteorites?? Imho, one of the reasons the market prices keep going up (particularly with historic artifacts) is newly found stuff simply flows in one direction into museum collections and archives. further limiting the market availability, this will only get worse if the supply of material to collectors gets even further choked off, by stupid blanket laws - for example if museums where allowed to trade and sell off some of the artifacts that are not needed then the market value would drop to sensible levels. (Ironically, there are countless thousands of useless orphaned contextless artifacts, that can serve no useful purpose sitting in museum draws all over the world, some are probably worth a small fortune on the open market - surely we should consider using some of this to fund much more important work, before we target private collectors). I believe we actually all have a personal responsibility to only keep and collect what we actually need to collect, museums included, that way everyone gets the chance to own these treasures without needing a mortgage, After all there is only so much to go round. Mark -----Original Message----- From: meteorite-list-bounces at meteoritecentral.com [mailto:meteorite-list-bounces at meteoritecentral.com] On Behalf Of Peter Davidson Sent: 08 July 2009 12:02 To: meteorite-list at meteoritecentral.com Subject: [meteorite-list] A Curator Replies This is my first posting on this list - please be gentle with me. I have only been on the list a matter of a week or so and I seemed to have walked into a veritable storm. I would like to share my views with you as a curator. Please forgive this rather long mail. Taking a posting from Martin Altmann dated 7th July as my starting point, here goes. I have never heard a law being described as "exotic". Do you mean idiotic? I can in no way speak on behalf of all curators, far less Australian ones. I can only give you my own viewpoint but I do know many curators from Australia, mostly mineralogists, and please believe me when I tell you they are fine people and not the narrow-minded, nationalistic people hinted at in a number of e-mails. I also noted that Martin Altmann stated that everybody on the list was a "lousy layman" which is not only patently untrue but just a little sexist. But I digress. CONFIDENTIALITY NOTICE: This email and any files transmitted with it are confidential. If you are not the intended recipient, please notify us. 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